I wrote this week about black and white films — almost exclusively, actually, though that was more of a fluke than a plan. Two of this week’s major releases (Passing, which made its Netflix debut, and Belfast, which you can see in theaters for now and digital soon enough) are in black and white, as is next week’s terrific Mike Mills film
It’s okay if it’s Not For Me
It’s okay if it’s Not For Me
It’s okay if it’s Not For Me
I wrote this week about black and white films — almost exclusively, actually, though that was more of a fluke than a plan. Two of this week’s major releases (Passing, which made its Netflix debut, and Belfast, which you can see in theaters for now and digital soon enough) are in black and white, as is next week’s terrific Mike Mills film