Hello from Paris! I’m off work for the next couple of weeks, mostly thinking about future book projects. In fact, I just got back from a whirlwind trip to Amsterdam for research, which I am hoping will be fruitful.
But I have two things of note to pass along:
“The Rehearsal,” the most audacious and jaw-dropping TV show around these days, came to the audacious and jaw-dropping conclusion of its second season this weekend. (I can’t really even explain this show to you if you haven’t seen it, unless the words “Nathan Fielder” mean something to you.) Anyhow, the Times’s chief TV critic Jim Poniewozik and I teamed up to discuss it, as best we could, and you can read our attempt here if you like. Discussed herein: is anything real, is this just low-fi AI maybe, empathy, neurodivergence, Evanescence’s “Bring Me To Life” …
The audiobook of We Tell Ourselves Stories: Joan Didion and the American Dream Machine is out today! I read it myself! I think you might like it. You can get it from anywhere you get your audiobooks, including Audible or, might I suggest, Libro.fm, which supports indie booksellers. Tell your friends!!
I just finished your audiobook. You’ve shined a light my own experience: growing up with a Didion cousin, post-war small town Sacramento, the rivers, and among affluent middle class kids. Then 18 (‘67-84) years in Hollywood, Beverly Hills, partying in Malibu, UCLA, Manhattan Beach, and “women’s lib,” whatever that was. Analysis through media lens is brilliant. Thank you.
I'm moving The Rehearsal S2 up to be my next series instead of "obeying" my spreadsheet, because of your recommendation.